1 00:00:02,660 --> 00:00:05,680 Sonic booms created by aircraft flying faster 2 00:00:05,700 --> 00:00:07,680 than the speed of sound certainly aren't 3 00:00:07,700 --> 00:00:10,090 known for being faint, but rather for their 4 00:00:10,110 --> 00:00:11,720 loud, make-you-jump effect. 5 00:00:11,740 --> 00:00:12,790 (sound of double sonic booms) 6 00:00:13,610 --> 00:00:16,330 But sonic booms also have a quieter side. 7 00:00:17,890 --> 00:00:20,300 NASA's Supersonics Project is embarking on 8 00:00:20,320 --> 00:00:22,730 a new effort to characterize that fainter 9 00:00:22,750 --> 00:00:25,870 side of sonic booms in the Farfield Investigation 10 00:00:25,890 --> 00:00:28,500 of No Boom Threshold project, or FaINT. 11 00:00:28,960 --> 00:00:31,010 Principal investigator Larry Cliatt at 12 00:00:31,030 --> 00:00:33,380 NASA's Dryden Flight Research Center says 13 00:00:33,400 --> 00:00:35,980 FaINT is designed to enable engineers to better 14 00:00:36,000 --> 00:00:38,510 understand evanescent waves, an acoustic 15 00:00:38,530 --> 00:00:40,820 phenomenon that occurs at the very edges 16 00:00:40,840 --> 00:00:42,720 of the normal sonic boom envelope. 17 00:00:42,740 --> 00:00:44,420 Then, you have your evanescent waves which is 18 00:00:44,440 --> 00:00:47,390 on the other side of that. They tend to be a 19 00:00:47,410 --> 00:00:50,830 lot quieter, probably about five to 10 times 20 00:00:50,850 --> 00:00:52,930 quieter than that of your normal N-wave 21 00:00:52,950 --> 00:00:54,400 sonic boom. And they kind of sound like 22 00:00:54,420 --> 00:00:55,830 a distant thunder rumble. 23 00:00:56,080 --> 00:00:58,770 Supersonic shockwaves produced by an aircraft 24 00:00:58,790 --> 00:01:01,670 flying at a speed of about Mach 1.2 or less, 25 00:01:01,690 --> 00:01:04,410 and at an altitude above 35,000 feet, 26 00:01:04,790 --> 00:01:07,180 typically do not reach the ground, so no 27 00:01:07,200 --> 00:01:09,950 sonic boom is heard. This is because the 28 00:01:09,970 --> 00:01:12,650 supersonic shockwaves created at higher altitudes 29 00:01:12,670 --> 00:01:15,480 are refracted, or bent upwards, as they enter 30 00:01:15,500 --> 00:01:17,390 the warmer air closer to the ground. 31 00:01:18,040 --> 00:01:20,520 When these shockwaves curve upward, they create 32 00:01:20,540 --> 00:01:22,920 a series of sonic boom waves that are focused 33 00:01:22,940 --> 00:01:25,460 along what is called a caustic line. 34 00:01:25,950 --> 00:01:27,930 Another phenomenon that produces evanescent waves 35 00:01:27,950 --> 00:01:30,700 is called lateral cutoff. And there you have the 36 00:01:30,720 --> 00:01:33,070 aircraft flying and the sonic boom carpet that's 37 00:01:33,090 --> 00:01:35,140 produced on the ground laterally to that. 38 00:01:35,160 --> 00:01:37,510 you also have another disturbance, 39 00:01:37,530 --> 00:01:38,910 and those are evanescent waves. 40 00:01:39,760 --> 00:01:42,340 Linear and spiral microphone arrays laid out 41 00:01:42,360 --> 00:01:44,750 on the dry lakebed at Edwards Air Force Base, 42 00:01:45,070 --> 00:01:47,680 along with microphones on a blimp-shaped balloon 43 00:01:47,700 --> 00:01:50,150 and a motor glider flying above the arrays, 44 00:01:50,170 --> 00:01:52,190 record the faint sonic booms. 45 00:01:52,670 --> 00:01:55,090 Project manager Brett Pauer says the overarching 46 00:01:55,110 --> 00:01:57,990 goal of NASA's sonic boom reduction research is 47 00:01:58,010 --> 00:02:00,000 to collect data that could help make commercial 48 00:02:00,020 --> 00:02:02,430 supersonic flight over land practical. 49 00:02:02,980 --> 00:02:05,100 The purpose of the FaINT project in general is 50 00:02:05,120 --> 00:02:07,040 just an additional piece of research that we're 51 00:02:07,060 --> 00:02:09,770 working on for having a supersonic commercial 52 00:02:09,790 --> 00:02:12,040 transport that can fly over land. 53 00:02:12,290 --> 00:02:15,440 NASA's always trying to push research, 54 00:02:15,460 --> 00:02:16,680 push boundaries, and one to the things 55 00:02:16,700 --> 00:02:18,510 we're trying to do is to bring commercial